Entries by Paulo Ferreira

,

MANON LESCAUT – G. Puccini

* PFALZTHEATER KAISERSLAUTERN – GERMANY * “The “Des Grieux” is a very difficult role. Paulo Ferreira is a very sensitive and delicate artist, who, being musically absolutely correct, get “wings” through a conscious scenic work. He is very sincere and authentic, that makes us believe him until the last moment.” by A. Szemerédy & M. Parditkain […]

,

LA FORZA DEL DESTINO – G. Verdi

* TIROLER LANDESTHEATER – INNSBRUCK, AUSTRIA *  … ” Paulo Ferreira sang brilliantly and freely as Alvaro and was the only one who mastered the Verdi style.” … – (by U. Strohal in Tiroler Tageszeitung) … ” Paulo Ferreira, as Alvaro was the ideal cast in scene. A most beautiful Verdi tenor, that the audience […]

,

IL TROVATORE – G. Verdi

* OPER SCHENKENBERG, SCHINZNACH DORF – SWITZERLAND *  ” … Manrico who sings heart-rending love songs and who is filled with an imperturbable love for his mother, he can also be different: passionate, relentless, tough! Inspired several times by scene applause, this Manrico is unfolding an amazing effortlessness and implicitness in his recital, and at […]

,

MEDEA – L. Cherubini

* TIROLER LANDESTHEATER, INNSBRUCK – AUSTRIA * “… Paulo Ferreira is a Giasone who meets this woman on the same level (…Medea emphatically heroic highly dramatic…), with attack, and who at opening night on Saturday was delivering more and more beautiful tenor brilliancy.” – (by Ursula Strohal – Tiroler Tageszeitung, 22.04.2013) “… Paulo Ferreira, Giasone […]

,

NABUCCO – G. Verdi

* PFALZTHEATER KAISERSLAUTERN – GERMANY *  “… Outstanding was the Guest Paulo Ferreira, as Ismaele. The Portuguese tenor not only sings his role, but embodies it through is dramatic dowries and his resplendent and technically perfect bel canto voice.” – (by Frank Herkommer in Opernnetz, 19.01.2013) “ … The bright and very moving voice of […]

,

LA WALLY – A. Catalani

* TIROLER LANDESTHEATER, INNSBRUCK – AUSTRIA * “ … Paulo Ferreira is lavishly using his beautiful, resilient tenor material. At the end, when conductor Alexander Rumpf is allowing pathos after having given a tense and direct interpretation before, Ferreira is completely at terms with himself.” – (in der Opernwelt of Dec.12 by Markus Thiel) “ […]

,

TOSCA – G. Puccini

* SCHLOSSTHEATER FULDA – GERMANY *  ” … After the first notes of Cavaradossi’s first aria (Recondita Armonia) you think you can’t believe your ears: There you have a wonderful Puccini tenor singing with shine, cream, smoothness and vigour. A Cavaradossi in an extra class of its own, (…) that disposes of a light palette […]

,

BORIS GODUNOV – Modest Mussorgsky

* THEATER HOF, GERMANY * “ … It was not a coincidence that Paulo Ferreira shared the stage with Anna Netrebko. The Portuguese tenor, member of the Ensemble of Hof Theatre, was vocally brilliant in the role of Grijorij, a voice of exceptional beauty.”  – (Frank Herkommer – Opernetz – 03.2012) “ … The character […]